20 February 2020
30 Days in VR. A Phenomenology of Future Screens

Enea Le Fons

5 December 2023
2023/24 /ɪˈməːʃən/
111
From Photography to Virtual Reality and back again. A conversation with Francesco Jodice

Francesco Jodice

20 November 2023
2023/24 /ɪˈməːʃən/
111
Immersed in science

Ilaria Ampollini

9 November 2023
2023/24 /ɪˈməːʃən/
111
The burning gaze. An aesthetics of shame in the age of the virtual

Federica Cavaletti

2 November 2023
2023/24 /ɪˈməːʃən/
111
Forms of the intermediary: spatiality and durations between technology and aesthetics

Neda Zanetti

12 October 2023
2023/24 /ɪˈməːʃən/
111
Virtualizing Spaces: Immersive and Emersive Images from Home to City.

Fabrizia Bandi

28 September 2023
2022/23 Practices
108
LabSim: a fully featured laboratory simulator for innovative teaching of analytical chemistry
27 September 2023
2022/23 Multisensoriality
104
Immersive Rhythms, Dismersive Images: On Music Video’s Affective Atmosphere

Tomáš Jirsa

18 May 2023
2022/23 Multisensoriality
104
Spatialization of Sound

Markus Ophälders

16 May 2023
2022/23 Multisensoriality
104
Resonance, dissonance, and things that get under one’s skin

Susanna Paasonen

28 April 2023
2022/23 Multisensoriality
104
The Genealogy of Images. From Focillon and Warburg to Computer Vision and Contemporary Semiotics

Maria Giulia Dondero

27 April 2023
2022/23 Multisensoriality
104
Between Picture Theory and World View: a Wölfflinian Approach

Michael Jenewein in conversation with Lambert Wiesing and Thomas Zingelmann

19 April 2023
2022/23 Multisensoriality
104
Style and World View: Wölfflin, Schwitters, Beuys.

Lambert Wiesing

3 March 2023
2022/23 Multisensoriality
104
Who is here when I am here?

Michel Reilhac

17 February 2023
2022/23 Practices
108
Another Reality

Immersive Solutions from Training to Business.

16 February 2023
2022/23 Multisensoriality
104
About presence: perception, technologies, immersive environments.

Enrico Pitozzi

3 February 2023
2022/23 Practices
108
Mixed reality for doctors. The ARTICOR software for cardiovascular interventions
1 February 2023
2022/23 Multisensoriality
104
At the roots of digital: in praise of a rhizomatic archaeology

Francesco Casetti

20 January 2023
2022/23 Practices
108
Active Learning of Industrial Chemical Processes By Virtual Immersive Laboratory: The Eye4edu Project

Carlo Pirola

19 January 2023
2022/23 Multisensoriality
104
Sensing Cinema Heritage. For a multisensory approach to film heritage

Andrea Mariani, Eleonora Roaro

10 January 2023
2022/23 Multisensoriality
104
Archaeology of immersion

Barbara Le Maître, Natacha Pernac, Jennifer Verraes

research: Seminar

2019/2020 Illusion
96

30 Days in VR. A Phenomenology of Future Screens

Enea Le Fons

Virtual reality (VR) and cross reality (XR) have often been the object of dystopian misrepresentations. However, VR and XR constitute a unique opportunity to improve our lives radically. Indeed, these technologies allow extending human beings’ perceptual, cognitive, computational, and communicative skills unprecedentedly. Moreover, the third dimension they comprise – which is naturally part of the human experience – makes these technologies much more natural and intuitive than previous 2D alternatives, thus allowing much more functional user experiences. Ultimately, VR and XR – if developed in a technically appropriate and in an ethically responsible way – promise to become a welcomed integration in our everyday reality and activities soon.

In this paper, I am presenting the outcome of an experience I have undergone to demonstrate that this can be the case: namely, my “#30DaysinVR” challenge, conceived and conducted in collaboration with HTC VIVE. Thus, the paper will expand on bodily feelings, emotions, issues, discoveries, and take-home-messages that both users and programmers can derive from living in a VR environment for thirty consecutive days.

Biography

Enea Le Fons

Enea Le Fons started working with interactive 3D, VR, human-computer interfaces in 1999. He developed a specialization in design, architecture, music and natural interaction which drove him across several creative industries such as gaming, museums, advertisement, movies, event installations, set extension, holographic projection. He directed and helped to found some VR and interaction design start-ups and is the president of the WHITELABEL foundation. He has been working for renowned companies like Epic Games and Softimage, but he was also part of several non-profit projects focused on regenerative entrepreneurship. His current research revolves around XR Cross-Reality, web XR telepresence, spatial computing and its impact on perception, health, and productivity.

research: seminar

30 Days in VR. A Phenomenology of Future Screens

Enea Le Fons

Virtual reality (VR) and cross reality (XR) have often been the object of dystopian misrepresentations. However, VR and XR constitute a unique opportunity to improve our lives radically. Indeed, these technologies allow extending human beings’ perceptual, cognitive, computational, and communicative skills unprecedentedly. Moreover, the third dimension they comprise – which is naturally part of the human experience – makes these technologies much more natural and intuitive than previous 2D alternatives, thus allowing much more functional user experiences. Ultimately, VR and XR – if developed in a technically appropriate and in an ethically responsible way – promise to become a welcomed integration in our everyday reality and activities soon.

In this paper, I am presenting the outcome of an experience I have undergone to demonstrate that this can be the case: namely, my “#30DaysinVR” challenge, conceived and conducted in collaboration with HTC VIVE. Thus, the paper will expand on bodily feelings, emotions, issues, discoveries, and take-home-messages that both users and programmers can derive from living in a VR environment for thirty consecutive days.

20 February 2020
17:00
19:00

Dipartimento di Filosofia "Piero Martinetti"

Sala Seminari, Cortile Ghiacciaia

Via Festa del Perdono 7, Milano

30 Days in VR. A Phenomenology of Future Screens
Enea Le Fons
Dipartimento di Filosofia "Piero Martinetti"
Sala Seminari, Cortile Ghiacciaia
Via Festa del Perdono 7, Milano
20200220
17:00
19:00