dissemination: vr production
Voices of Fragments: making memories out of a Difficult Heritage is a research-creation project conceived in Cannes as part of the PhD Lab at the XR2C2 Research and Creation Centre.
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The project aims to disseminate, through an immersive display, the results of research on the visual evidence of the legal process of the terrorist attacks in Paris in November 2015. The aim of this installation is to recreate the journey of an imaginary researcher who wishes to explore the legacy of these trials, consisting of a historical and monumental archival collection kept at the Archives Nationales. This "difficult" legacy, linked to the social and traumatic dimensions of memory, is subject to accessibility constraints that prevent its reproduction, thus posing a challenge for its valorisation. Since the trial documents are subject to access restrictions and therefore cannot circulate in the media, the installation aims to narrate the images based on the invisible work of the (female) archivists who created the archive. In the installation, a modular sound score composed of a corpus of post-trial interviews with archivists consists of a spatialised generative sound composition as well as a moving panorama of photogrammetries of the archivists’ working documents.
This installation has received funding by the Extended Reality Research and Creative Center XR2C2 of the Université Côte d’Azur, at the Campus Georges Méliès, in Cannes. It was conceived and fostered within the PhD Lab of the Research Center. This installation was developed within the research projects integrated to the project "AN-ICON.An-Iconology: History, Theory, and Practices of Environmental Images". The project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 research and innovation programme (grant agreement No. 834033 AN-ICON), and is hosted by the Department of Philosophy “Piero Martinetti” at the University of Milan (Project “Departments of Excellence 2023-2027” awarded by the Italian Ministry of University and Research). Voices of fragments is supported by the ANR-15-IDEX-01 programme as part of Maxence Mercier's doctoral contract in creation/research at the Côte d'Azur University.
Maxence Mercier is a composer, digital artist and PhD candidate in music composition at the Université Côte d'Azur and the Université de Montréal. His research focuses on the writing spaces of sound spatialisation. He participates in the activities of the XR2C2 IDEX center based at the Méliès campus in Cannes. An experienced practitioner of experimental lutherie and the interpretation of bioacoustic signals, he regularly collaborates with the research teams of the LMA in Marseille and the LIS in Toulon. He is the creator of the Sound Trajectory software, the sources of which he is sharing as part of his doctoral research. His artistic projects bring the dimensions of sound writing face to face with ecological challenges and encourage the development of virtuous innovations concerned with technological sobriety. He performs as a soloist with piano and electronics and composes for electroacoustics, instrumental ensembles and interactive devices.
Rosa Cinelli is a PhD student in Philosophy at the University of Milan, and in Communication Sciences at the Université Côte d'Azur. At the University of Milan, she is a member of the AN-ICON ERC Advanced Research Project. In Cannes, her research is featured within the Extended Reality Research and Creative Center XR2C2. Her thesis focuses on the epistemological paradigm of visual evidence, as framed by forensic visual culture in algorithmic and immersive visual regimes. In 2019, she also obtained a diploma in photography at CFP Bauer in Milan.
dissemination: vr production
Voices of Fragments: making memories out of a Difficult Heritage is a research-creation project conceived in Cannes as part of the PhD Lab at the XR2C2 Research and Creation Centre.
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