journal article

Performative forms of architecture: from real space to virtual space

Fabrizia Bandi

Testing innovative preparation tools for immersive virtual environments. A case study in the didactics of Art

Federica Cavaletti, Ilaria Terrenghi

Staying Here, Being There. Bilocation, Empathy and Self-Empathy in Virtual Reality

Andrea Pinotti

Calco mobile. La costruzione del reale nelle produzioni di non-fiction immersiva

Anna Caterina Dalmasso

Making Interaction Accessible: Virtual and Augmented Reality for Eye Contact Training in Autism Spectrum Disorder

Federica Cavaletti

Passing through. Gesture interfaces in virtual reality

Barbara Grespi

Going Virtual – But How? Mapping Virtualities in Contemporary Technoculture

Federica Cavaletti, Filippo Fimiani, Andrea Pinotti

Virtual Reality and Augmented Reality New Tools for Art and Politics

Elisabetta Modena, Andrea Pinotti, Sofia Pirandello

Virtual Reality as A Time-Dissolving Machine in Distressing Medical Treatments. Current Perspectives and Future Directions

Federica Cavaletti

journal article

Performative forms of architecture: from real space to virtual space

Fabrizia Bandi

In this paper we will relate the term «performance» to what, in different ways, can be considered the components of architecture: the project, the body of the dweller, the space itself, the virtual models. The different ways in which each of these elements can «perform» will be analysed in the paragraphs: (1) digital performalism, which redefines the form of the project with new tools; (2) bodies as performative agents in the architectural space; (3) architecture as a place for artistic performances, which can be defined as a performed object, but also as a performing subject; (4) and finally, virtual space, where architecture finds many possibilities of expression, in relation to the bodily performance of the user.  

book chapter

Performative forms of architecture: from real space to virtual space

Fabrizia Bandi

keywords

In this paper we will relate the term «performance» to what, in different ways, can be considered the components of architecture: the project, the body of the dweller, the space itself, the virtual models. The different ways in which each of these elements can «perform» will be analysed in the paragraphs: (1) digital performalism, which redefines the form of the project with new tools; (2) bodies as performative agents in the architectural space; (3) architecture as a place for artistic performances, which can be defined as a performed object, but also as a performing subject; (4) and finally, virtual space, where architecture finds many possibilities of expression, in relation to the bodily performance of the user.  

Book/magazine/Issue

Itinera. Rivista di filosofia e teoria delle arti - Vol. 25

publisher

Milano University Press

place of publication

Milano

year of publication

2023