4 April 2024
Rape or “rape”? Virtual violence and the somatechnical body

Pietro Conte

2 July 2024
2023/24 /ɪˈməːʃən/
111
Images from an Exhibition. Inhabiting the world with the stereoscope

Giovanni Fiorentino

12 June 2024
2023/24 /ɪˈməːʃən/
111
Faraway, So Close! Bridging distances between Anthropological Philosophy and Media Anthropology

Martino Quadrato

12 June 2024
2023/24 /ɪˈməːʃən/
111
The Automatic Body: a mediarcheological approach

Alice Peli

21 May 2024
2023/24 /ɪˈməːʃən/
111
Difficult Heritage: disputed figures in contemporary memorial museums

Giulia Bertolazzi

21 May 2024
2023/24 /ɪˈməːʃən/
111
“Antimonumenta”: artistic practice in feminist Mexico

Francesca Romana Gregori

9 May 2024
2023/24 /ɪˈməːʃən/
111
Death and Virtual Mourning. The “Return of the Dead” in Digital Afterlife

Maria Serafini

7 May 2024
2023/24 /ɪˈməːʃən/
111
Vierundzwanzig Beine! Carts, chariots, carriages and other (image-)media in Warburg’s Mnemosyne

Katia Mazzucco

16 April 2024
2023/24 /ɪˈməːʃən/
111
Education meets Virtual Reality. Reasoning on learning outcomes, inclusion and didactic scenarios

Ilaria Terrenghi

26 March 2024
2023/24 /ɪˈməːʃən/
111
Chiromorphisms. The technical genesis of modern disability

Alessandro Costella

15 February 2024
2023/24 /ɪˈməːʃən/
111
The Obscene Device. Archaeology of Immersive Pornographies

Roberto Malaspina

1 February 2024
2023/24 /ɪˈməːʃən/
111
Techniques of Enchantment. Magic and Contemporary Technology

Sofia Pirandello

25 January 2024
2023/24 /ɪˈməːʃən/
111
Alternative Worlds – VR without Headsets

Margherita Fontana

11 January 2024
2023/24 /ɪˈməːʃən/
111
A world of imprints. The epistemology of visual evidence in digital and virtual media-ecologies

Rosa Cinelli

21 December 2023
2023/24 /ɪˈməːʃən/
111
FEMINIST HORROR THEORY – Filmic Forms and Female Identity: Rewriting in the Key of Gender

Rossana Galimi

5 December 2023
2023/24 /ɪˈməːʃən/
111
From Photography to Virtual Reality and back again. A conversation with Francesco Jodice

Francesco Jodice

20 November 2023
2023/24 /ɪˈməːʃən/
111
Immersed in science

Ilaria Ampollini

9 November 2023
2023/24 /ɪˈməːʃən/
111
The burning gaze. An aesthetics of shame in the age of the virtual

Federica Cavaletti

2 November 2023
2023/24 /ɪˈməːʃən/
111
Forms of the intermediary: spatiality and durations between technology and aesthetics

Neda Zanetti

12 October 2023
2023/24 /ɪˈməːʃən/
111
Virtualizing Spaces: Immersive and Emersive Images from Home to City.

Fabrizia Bandi

28 September 2023
2022/23 Practices
108
LabSim: a fully featured laboratory simulator for innovative teaching of analytical chemistry

research: Seminar

2023/24 /ɪˈməːʃən/
111

Rape or “rape”? Virtual violence and the somatechnical body

Pietro Conte

Although incidents of online sexual assault are becoming increasingly common, the concept of virtual rape still needs critical examination. Contrary to conventional wisdom, in this presentation I first argue that virtual rape should not be seen as a metaphorical term, let alone an oxymoron. Focusing on the embodied conditions that define presence in immersive environments, I then draw a phenomenologically inspired distinction between physical and bodily to challenge the idea that virtual rape is nothing more than psychological violence. Lastly, I introduce the notion of somatechnical body to clarify the specific nature of virtual rape.

Biography

Pietro Conte

Pietro Conte is Associate Professor of Aesthetics at the Department of Philosophy of the State University of Milan. After receiving his PhD from the University of Siena, he spent two years on a postdoc scholarship at the University of Basel (2007-2009). From 2011 to 2015, he worked as a Research Fellow at the State University of Milan. He was then awarded a Starting Grant from the Portuguese Foundation for Science and Technology through the scientific programme “Investigador FCT”, thanks to which he was appointed Junior Assistant Professor at the University of Lisbon (2015-2018). In 2018 he got a tenure-track at Ca’ Foscari University of Venice, where he became an Associate Professor in 2021. His scholarly work revolves around illusion, hyperrealism, immersion, and the multifarious practices of un-framing, a thematic cluster that he has addressed from a phenomenological perspective in the monographs Unframing Aesthetics (2020) and In carne e cera. Estetica e fenomenologia dell’iperrealismo (Flesh and Wax: Aesthetics and Phenomenology of Hyperrealism, 2015).

research: seminar

Rape or “rape”? Virtual violence and the somatechnical body

Pietro Conte

Although incidents of online sexual assault are becoming increasingly common, the concept of virtual rape still needs critical examination. Contrary to conventional wisdom, in this presentation I first argue that virtual rape should not be seen as a metaphorical term, let alone an oxymoron. Focusing on the embodied conditions that define presence in immersive environments, I then draw a phenomenologically inspired distinction between physical and bodily to challenge the idea that virtual rape is nothing more than psychological violence. Lastly, I introduce the notion of somatechnical body to clarify the specific nature of virtual rape.

4 April 2024
14:00
16:00

Aula Seminari

Università degli Studi di Milano

Via Santa Sofia, 9

Rape or “rape”? Virtual violence and the somatechnical body
Pietro Conte
Aula Seminari
Università degli Studi di Milano
Via Santa Sofia, 9
20240404
14:00
16:00